|

Marion Art Center143 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center167 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center195 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center153 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center146 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center165 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center160 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center158 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center167 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center184 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center184 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|

Marion Art Center186 viewsLaser wood-cutting techniques used by artist Makerjake, aka Jacob Ginga, combine contemporary themes with those of his native heritage. Together with Narragansett tribal member Max Brown-Garcia, who has supplied Native American regalia pieces, and Vincent Mancini's creations from cut feathers, these sacred works are part of the Marion Art Center’s indigenous art exhibit, “Exploring Native American Culture: Art, Craft and Inspiration,” through March 25. Photos by Mick Colageo
|
|
7625 files on 636 page(s) |
 |
 |
 |
 |
 |
109 |  |
 |
 |
 |
|